Los Straitjackets

Deke Dickerson Sings the Great Instrumental Hits!!!!!!

Yep Roc

dickersonIt’s like amplifying the experience of hearing Lorne Greene sing the theme to “Bonanza” after only having known it as an instrumental.

Instrumentals have fallen out of fashion over the decades yet fans remain. But the vocal instrumental subgenre is about as esoteric as it gets. And Dickerson — a rockabilly, hillbilly-jazz and surf artist who also collects music outside the norm and beyond — wants to share it via renditions of a few choice examples, with the help of instrumental combo Los Straitjackets.

“Most famous instrumental hits either started out as vocal songs, or — even better — were written as instrumentals, became hits, and then some knucklehead came along and wrote lyrics for them after the fact,” Dickerson explains in the album’s press release.

Songs here originally composed with lyrics are “Theme From a Summer Place,” “Perfidia” and “Misirlou,” given Beach Boys, ska and exotica arrangements, respectively.

The rest are instrumentals that had “knucklehead”-penned lyrics added later. Some of the best are Bill Doggett’s “Honky Tonk” (Doggett himself put out the vocal version as a follow-up single to the instrumental); the Shadows’ “Apache” (uniting disco, hip-hop, surf and country);  “You Can Count on Me” (sung to the tune of the theme from “Hawaii 5-O” and sourced from Sammy Davis Jr.’s 1976 version); and “Popcorn” (the Gershon Kingsley moog classic popularized by Hot Butter and later performed with vocals by French band Anarchic System).

Dickerson limits his guitar work to electric sitar on “Misirlou” but takes his singing seriously. “When I was recording the vocals,” he recalls in the press release, “I kept thinking of the classic Bill Murray ‘Saturday Night Live’ lounge singer bit, and I quickly realized, that’s my role here: I’m here to interpret these familiar melodies in a recognizable fashion, and to embrace the absurdity beneath it all.”

And just as Murray’s Nick Winters pines for “those Star Wars” and pleads, “Don’t let ’em end,” so, too, might listeners of this album of reverently irreverent modifications of long-buried treasure be left wishing for a “Vol. 2” from impresario Dickerson and his lucha libre mask-wearing sidekicks. gnm_end_bug

Tracks
1. Fury
2. Honky Tonk
3. Magic Star
4. Theme From A Summer Place
5. Perfidia
6. Apache
7. Misirlou
8. Kawanga
9. Wild Weekend
10. You Can Count On Me
11. Walk Don’t Run
12. Popcorn
13. Sleepwalk
14. Pipeline

Total time: 38:30

External links
artist’s website
amazon.com
iTunes Store

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Leon Russell

Life Journey

UMe

russellAfter Leon Russell’s successful 2010 duet album with Elton John (“The Union”), big labels were suddenly knocking again on the Oklahoma-born singer/songwriter/pianist’s door. But they wanted him to do something he’d never done: use a producer.

So Russell recruited Tommy LiPuma, one-time principal at Blue Thumb Records, the late 1960s/early ’70s album-oriented independent rock ‘n’ roll label whose roster included Captain Beefheart, Albert Collins, Earl Hooker, Dave Mason, Dan Hicks & His Hot Licks and the Crusaders. The two had never worked together, but LiPuma had produced George Benson’s 1976 cover of Russell’s “This Masquerade” (No. 3, Billboard R&B singles; No. 6, adult contemporary;  No. 10, Hot 100).

LiPuma granted Russell carte blanche to play whatever he liked. As the album progressed, Russell realized it was shaping up as standards he’d either done in session or solo work, or had always wanted to do — “a record of my musical journey through this life,” as he relates in the liner notes.

Rod Stewart’s “Great American Songbook” it ain’t. From the down-to-earth reading of Robert Johnson’s “Come on in My Kitchen” (featuring former band member Chris Simmons’ rollicking slide-guitar work) to the simmered-in-strings slow blues/jazz of “The Masquerade Is Over,” Russell is clearly having a ball jumping from genre to genre.

A pair of unexpected tunes turn out to be worthy: Paul Anka’s “I Really Miss You,” first heard as an Anka-Russell collaboration on Anka’s 2013 “Duets,” here featuring pedal-steel player extraordinaire Greg Leisz; and Billy Joel’s “New York State of Mind,” one of three tunes with L.A.’s Clayton-Hamilton Jazz Orchestra.

Only two songs are Russell compositions: “Big Lips” and “Down in Dixieland,” earlier versions of which are found on his 2008 “In Your Dreams.”

Especially noteworthy:

• “Georgia on My Mind,” a reciprocation of Ray Charles’ cover of Russell’s “A Song for You.”

• “Fever,” tweaked into a jump-gospel version and again featuring Simmons’ exquisite slide.

• “That Lucky Old Sun,”  a prior rendition of which appeared on Russell’s 2002 “Moonlight & Love Songs,” but here showcasing the heavenly sound of pedal steel (Leisz) and Hammond B3 organ (sideman supreme Larry Goldings) in tandem.gnm_end_bug

Tracks
1. Come On In My Kitchen
2. Big Lips
3. Georgia On My Mind
4. That Lucky Old Sun
5. Fever
6. Think Of Me
7. I Got It Bad And That Ain’t Good
8. The Masquerade Is Over
9. I Really Miss You
10. New York State Of Mind
11. Fool’s Paradise
12. Down In Dixieland

Total time: 47:34

External links
artist’s website
amazon.com
iTunes Store

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Dave Tanner

America Is You and Me

Seduction

tannerJust in time for the Fourth of July comes “America Is You and Me,” an EP by Dallas-based Tanner, a regional bandleader known for his keyboard prowess and easy-listening vocals.

Adept at any musical style, Tanner got together with 37-year friend and three-Grammy engineer/producer Phil York of Yorktown Digital Works (who twisted the dials for Willie Nelson’s blockbuster concept album, “Red Headed Stranger”) and created this six-song album of original patriotic tunes, two of which were co-written by the pair.

The title song is a call to arms for all U.S. citizens to unite in self-pride, stating what the country isn’t as well as what it is. “America is more than left and right, and more than red states or blue,” it asserts. “When we split into us and them, the American Dream can’t stay true.”

“I Love You and America” tells the story of an emigrant who becomes a U.S. citizen and falls in love, professing to the woman he wants to marry, “I Love You and America.” “Angels in the Dust” is a 9/11 ballad invoking melodic bits of “The Star-Spangled Banner” and the American abolitionist hymn “The Battle Hymn of the Republic.”

Fighting for truth, justice and the American way is what “Forever the Beat” is all about, while “A New Star-Spangled Banner” humbly offers a simplified reworking of the national anthem of the United States.

When he’s not fronting a dance band, Tanner presents a variety of musical programs incorporating the stories behind the songs, hence the album’s spoken-word conclusion, “Story of ‘The Star-Spangled Banner.’ “gnm_end_bug

Tracks
1. America Is You And Me
2. I Love You And America
3. Angels In The Dust
4. Forever The Beat
5. A New Star-Spangled Banner
6. Story Of “The Star-Spangled Banner”

Total time: 20:49

External links
artist’s website
CD Baby

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