Pacific Northwest ’73-’74: Believe It if You Need It
This three-disc distillation of the concurrently released, 19-disc “Pacific Northwest ’73-’74: The Complete Recordings” arranges 20 songs from five of the six previously unreleased shows that comprise the Grateful Dead’s two short exploratory runs through the region.
Unlike the individually numbered, limited-edition (15,000) box set that goes for nearly $200, this $20 version is not chronologically sequenced. “Believe It if You Need It” instead hopscotches between June 1973 and May 1974, creating what could be considered a virtual-reality performance arguably even better than the real thing.
As with last year’s “Cornell ’77,” it’s exquisitely mastered in HDCD by Jeffrey Norman from original master tapes transferred and magically restored by Plangent Processes. This time around, the artwork is by First Nations artist Roy Henry Vickers.
The 1973 and 1974 offerings on “Believe It” were recorded just before release of the group’s studio albums “Wake of the Flood” and “From the Mars Hotel,” respectively. Besides selections from those, there’s also a nice assortment from Jerry Garcia and Bob Weir’s first solo albums as well as a few from “Workingman’s Dead” and “American Beauty.”
Because multiple sources were used, some songs finish with quick but clean fadeouts. Tracks that originally segued from and/or into others are mostly left that way. An unexpected treat is “Eyes of the World > China Doll,” a stunning instance of poetic license in which two songs played four days apart are fashioned into a standalone fantasy medley — an impressive feat, especially considering that the former came from a “Trucking’ > Nobody’s Fault But Mine > Eyes of the World > China Doll.”
Another highlight is the 47-minute “Playing in the Band,” reputedly the longest ever performed; there are no side trips here, just a big fat midsection of unadulterated improvisation.
In 1973-74, the Grateful Dead were riding high. They’d just left Warner Bros. and started two of their own labels — Grateful Dead Records for group recordings and Round Records for solo projects — as well as designing the 600-speaker Wall of Sound for their ’74 performances. Those were undoubtedly heady times, and “Believe It” makes a strong case for the era being the band’s most exhilarating.
1. China Cat Sunflower (Portland Memorial Coliseum, Portland, OR 5/19/74) >
2. I Know You Rider (Portland Memorial Coliseum, 5/19/74)
3. Bird Song (PNE Coliseum, Vancouver, British Columbia 6/22/73)
4. Box Of Rain (Portland Memorial Coliseum, 6/24/73)
5. Brown-Eyed Women (Hec Edmundson Pavillion, University of Washington, Seattle 5/21/74)
6. Truckin’ (Portland Memorial Coliseum, 5/19/74) >
7. Jam (Portland Memorial Coliseum, 5/19/74) >
8. Not Fade Away (Portland Memorial Coliseum, 5/19/74) >
9. Goin’ Down The Road Feeling Bad (Portland Memorial Coliseum, 5/19/74)
10. One More Saturday Night (Portland Memorial Coliseum, 5/19/74)
1. Here Comes Sunshine (PNE Coliseum, 6/22/73)
2. Eyes Of The World (PNE Coliseum, 5/17/74) >
3. China Doll (Hec Edmundson Pavillion, 5/21/74)
4. Playing In The Band (Hec Edmundson Pavillion, 5/21/74)
1. Sugaree (PNE Coliseum, 5/17/74)
2. He’s Gone (PNE Coliseum, 6/22/73) >
3. Truckin’ (PNE Coliseum, 6/22/73) >
4. The Other One (PNE Coliseum, 6/22/73) >
5. Wharf Rat (PNE Coliseum, 6/22/73)
6. Sugar Magnolia (PNE Coliseum, 6/22/73)
Total time: 3:54:00