The Haunted Melody
HoweSound
Howe, longtime guitarist for progressive rock group Yes, always had it in him to deliver a great straight-jazz album. This is it.
HoweSound
Howe, longtime guitarist for progressive rock group Yes, always had it in him to deliver a great straight-jazz album. This is it.
429
Dave Matthews’ “Fat Man” arguably is the best reinterpretation on this “tribute” album. Radically different from the original, it’s slowed way down and adds African and island overtones, but the real treat is Matthews’ dozen and a half vocal tracks (he’s always used his voice like an instrument) and Sonny Landreth’s soporific slide guitar.
429 Records
He went from the Northern California foothills (Cameron Park, near Placerville, to be exact) to Sacramento to San Francisco, but as Greene put it in a recent radio interview, “For being on the road a lot, it kind of doesn’t matter where I live.”
Bridge
These symphonic reimaginings of Gershwin’s crossover compositions succeed in terms of performance as well as engineering: Anne-Marie McDermott superbly conveys the serious and playful side of the material; guest conductor Justin Brown moves the Dallas Symphony Orchestra along at just the right speed, balancing restraint with vigor; and the digital recording combines with the excellent Meyerson Symphony Center acoustics to provide optimal audio.