Red House
“The Blues, The Whole Blues and Nothing But the Blues” is the best of David Bromberg’s four studio albums released since ending his 17-year recording hiatus 10 years ago — and also among his best ever.
self-released
After six Gypsy jazz albums, Gonzalo Bergara returns to his blues-rock roots with all the zeal one would expect from someone who caught the late, great Dan Hicks’ attention.
Saustex
Jim Dandy to the rescue — sort of.
“To the rescue” because all profits from the sale of “Mutants of the Monster: A Tribute to Black Oak Arkansas” will benefit Memphis-area animal rescue The Savior Foundation.
Inside Out
For all intents and purposes, this is “Yes meets the Flower Kings.”
Jon Anderson has been saying for years that he wished to return to creating what he calls “Yes Music” — the long-form, epic style of progressive rock epitomized by that band on such albums as “Close to the Edge,” “Tales From Topographic Oceans” and “Relayer” in the 1970s.
